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	<title>Metropolitics</title>
	<link>https://metropolitics.org/</link>
	<description>Favoriser les d&#233;bats et confronter les savoirs et les savoir-faire sur la ville, l'architecture et les territoires.</description>
	<language>en</language>
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		<title>Metropolitics</title>
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		<title>Teaching Art and the History of Tattoos at Rikers Island: An Interview with Tamara Santibanez</title>
		<link>https://metropolitics.org/Teaching-Art-and-the-History-of-Tattoos-at-Rikers-Island-An-Interview-with.html</link>
		<guid isPermaLink="true">https://metropolitics.org/Teaching-Art-and-the-History-of-Tattoos-at-Rikers-Island-An-Interview-with.html</guid>
		<dc:date>2019-01-22T06:00:00Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>en</dc:language>
		<dc:creator> Lisa Jean Moore</dc:creator>


		<dc:subject>United States</dc:subject>
		<dc:subject>New York</dc:subject>
		<dc:subject>art</dc:subject>
		<dc:subject>artist</dc:subject>
		<dc:subject>arts</dc:subject>
		<dc:subject>prison</dc:subject>
		<dc:subject>education</dc:subject>
		<dc:subject>art worlds</dc:subject>
		<dc:subject>art economies</dc:subject>
		<dc:subject>tattoos</dc:subject>
		<dc:subject>youth offenders</dc:subject>
		<dc:subject>Rikers Island</dc:subject>

		<description>
&lt;p&gt;An interview with Tamara Santibanez, who teaches art and the cultural and social history of tattoos to youth offenders at Rikers Island prison, explains how tattoos can help develop visual literacy and explores tattooing's potential to empower inmates both personally and professionally. &lt;br class='autobr' /&gt; Arts programs in jails and prisons support the therapeutic, developmental, and vocational goals of incarcerated persons. Artists are uniquely positioned to help prisoners express their identities, address&lt;/p&gt;


-
&lt;a href="https://metropolitics.org/-Interviews-.html" rel="directory"&gt;Interviews&lt;/a&gt;

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&lt;a href="https://metropolitics.org/+-United-States-+.html" rel="tag"&gt;United States&lt;/a&gt;, 
&lt;a href="https://metropolitics.org/+-New-York-+.html" rel="tag"&gt;New York&lt;/a&gt;, 
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&lt;a href="https://metropolitics.org/+-prison-+.html" rel="tag"&gt;prison&lt;/a&gt;, 
&lt;a href="https://metropolitics.org/+-education,1377-+.html" rel="tag"&gt;education&lt;/a&gt;, 
&lt;a href="https://metropolitics.org/+-art-worlds-+.html" rel="tag"&gt;art worlds&lt;/a&gt;, 
&lt;a href="https://metropolitics.org/+-art-economies-+.html" rel="tag"&gt;art economies&lt;/a&gt;, 
&lt;a href="https://metropolitics.org/+-tattoos-+.html" rel="tag"&gt;tattoos&lt;/a&gt;, 
&lt;a href="https://metropolitics.org/+-youth-offenders-+.html" rel="tag"&gt;youth offenders&lt;/a&gt;, 
&lt;a href="https://metropolitics.org/+-Rikers-Island-+.html" rel="tag"&gt;Rikers Island&lt;/a&gt;

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		<enclosure url="https://metropolitics.org/IMG/pdf/met-moore2.pdf" length="145473" type="application/pdf" />
		

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<item xml:lang="en">
		<title>The Happy Few and the Unhappy Many: Endangered Artists in Global Cities</title>
		<link>https://metropolitics.org/The-Happy-Few-and-the-Unhappy-Many.html</link>
		<guid isPermaLink="true">https://metropolitics.org/The-Happy-Few-and-the-Unhappy-Many.html</guid>
		<dc:date>2017-06-15T07:00:00Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>en</dc:language>
		<dc:creator> Boris Gr&#233;sillon &amp; translated by John Barrett</dc:creator>


		<dc:subject>gentrification</dc:subject>
		<dc:subject>Paris</dc:subject>
		<dc:subject>London</dc:subject>
		<dc:subject>New York</dc:subject>
		<dc:subject>art</dc:subject>
		<dc:subject>downtown</dc:subject>
		<dc:subject>city centre</dc:subject>
		<dc:subject>Tokyo</dc:subject>
		<dc:subject>rental</dc:subject>
		<dc:subject>right to the city</dc:subject>
		<dc:subject>artist</dc:subject>
		<dc:subject>arts</dc:subject>
		<dc:subject>rent</dc:subject>
		<dc:subject>global cities</dc:subject>

		<description>
&lt;p&gt;While participating or having participated in reshaping urban spaces, artists seem to be increasingly driven away from city centers due to steep rents and are forced move farther and farther from the heart of metropolises. Will the global contemporary city, like the mythical figure Cronus devouring his own children, exclude its artists? Boris Gr&#233;sillon examines the dynamics at work in four metropolitan centers: New York, London, Tokyo, and Paris. &lt;br class='autobr' /&gt; The global city (Sassen 1991) is predominantly&lt;/p&gt;


-
&lt;a href="https://metropolitics.org/-Essays-.html" rel="directory"&gt;Essays&lt;/a&gt;

/ 
&lt;a href="https://metropolitics.org/+-gentrification-+.html" rel="tag"&gt;gentrification&lt;/a&gt;, 
&lt;a href="https://metropolitics.org/+-Paris-+.html" rel="tag"&gt;Paris&lt;/a&gt;, 
&lt;a href="https://metropolitics.org/+-London-+.html" rel="tag"&gt;London&lt;/a&gt;, 
&lt;a href="https://metropolitics.org/+-New-York-+.html" rel="tag"&gt;New York&lt;/a&gt;, 
&lt;a href="https://metropolitics.org/+-art-+.html" rel="tag"&gt;art&lt;/a&gt;, 
&lt;a href="https://metropolitics.org/+-downtown-+.html" rel="tag"&gt;downtown&lt;/a&gt;, 
&lt;a href="https://metropolitics.org/+-city-centre-+.html" rel="tag"&gt;city centre&lt;/a&gt;, 
&lt;a href="https://metropolitics.org/+-Tokyo-+.html" rel="tag"&gt;Tokyo&lt;/a&gt;, 
&lt;a href="https://metropolitics.org/+-rental-+.html" rel="tag"&gt;rental&lt;/a&gt;, 
&lt;a href="https://metropolitics.org/+-right-to-the-city-+.html" rel="tag"&gt;right to the city&lt;/a&gt;, 
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&lt;a href="https://metropolitics.org/+-rent-+.html" rel="tag"&gt;rent&lt;/a&gt;, 
&lt;a href="https://metropolitics.org/+-global-cities-+.html" rel="tag"&gt;global cities&lt;/a&gt;

		</description>



		
		<enclosure url="https://metropolitics.org/IMG/pdf/met-gresillon-eng.pdf" length="557412" type="application/pdf" />
		

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<item xml:lang="en">
		<title>The Arts as Fundamental&#8212;and Fragile&#8212;in Community Life</title>
		<link>https://metropolitics.org/The-Arts-as-Fundamental-and.html</link>
		<guid isPermaLink="true">https://metropolitics.org/The-Arts-as-Fundamental-and.html</guid>
		<dc:date>2017-02-22T06:00:00Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>en</dc:language>
		<dc:creator> Andrew Zitcer &amp; Julie Hawkins &amp; Neville Vakharia</dc:creator>


		<dc:subject>culture</dc:subject>
		<dc:subject>United States</dc:subject>
		<dc:subject>art</dc:subject>
		<dc:subject>artist</dc:subject>
		<dc:subject>arts</dc:subject>
		<dc:subject>community</dc:subject>
		<dc:subject>Philadelphia</dc:subject>
		<dc:subject>community development</dc:subject>
		<dc:subject>community arts</dc:subject>

		<description>
&lt;p&gt;Arts funding in America mirrors the inequality found in society more broadly. Yet amid persistent poverty and other challenges, West Philadelphia residents assert that arts access and participation are central to their conception of a life well-lived. Andrew Zitcer, Julie Hawkins and Neville Vakharia discuss their research in West Philadelphia, noting the vibrant cultural production taking place there and maintaining that arts should be considered a fundamental right. &lt;br class='autobr' /&gt; Amid the existential&lt;/p&gt;


-
&lt;a href="https://metropolitics.org/-Essays-.html" rel="directory"&gt;Essays&lt;/a&gt;

/ 
&lt;a href="https://metropolitics.org/+-culture-+.html" rel="tag"&gt;culture&lt;/a&gt;, 
&lt;a href="https://metropolitics.org/+-United-States-+.html" rel="tag"&gt;United States&lt;/a&gt;, 
&lt;a href="https://metropolitics.org/+-art-+.html" rel="tag"&gt;art&lt;/a&gt;, 
&lt;a href="https://metropolitics.org/+-artist-+.html" rel="tag"&gt;artist&lt;/a&gt;, 
&lt;a href="https://metropolitics.org/+-arts-+.html" rel="tag"&gt;arts&lt;/a&gt;, 
&lt;a href="https://metropolitics.org/+-community-+.html" rel="tag"&gt;community&lt;/a&gt;, 
&lt;a href="https://metropolitics.org/+-Philadelphia-+.html" rel="tag"&gt;Philadelphia&lt;/a&gt;, 
&lt;a href="https://metropolitics.org/+-community-development-+.html" rel="tag"&gt;community development&lt;/a&gt;, 
&lt;a href="https://metropolitics.org/+-community-arts-+.html" rel="tag"&gt;community arts&lt;/a&gt;

		</description>



		
		<enclosure url="https://metropolitics.org/IMG/pdf/met-zitcer-hawkins-vakharia.pdf" length="2236025" type="application/pdf" />
		

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<item xml:lang="en">
		<title>&#8220;We Are the Scene&#8221;: Alternative Art Economies in Bushwick</title>
		<link>https://metropolitics.org/We-Are-the-Scene-Alternative-Art.html</link>
		<guid isPermaLink="true">https://metropolitics.org/We-Are-the-Scene-Alternative-Art.html</guid>
		<dc:date>2016-09-13T05:00:00Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>en</dc:language>
		<dc:creator> Mary Kosut</dc:creator>


		<dc:subject>gentrification</dc:subject>
		<dc:subject>culture</dc:subject>
		<dc:subject>New York</dc:subject>
		<dc:subject>art</dc:subject>
		<dc:subject>culture-based economy</dc:subject>
		<dc:subject>artist</dc:subject>
		<dc:subject>arts</dc:subject>
		<dc:subject>Brooklyn</dc:subject>
		<dc:subject>art worlds</dc:subject>
		<dc:subject>galleries</dc:subject>
		<dc:subject>art economies</dc:subject>
		<dc:subject>Bushwick</dc:subject>

		<description>
&lt;p&gt;Artists and art communities are essential to the cultural life of cities. In New York City, artists have created networks of artist-run galleries in unlikely spaces that are outside the corporate gallery system. Sociologist Mary Kosut explores how artists generate alternative urban art economies within the contemporary New York art world. &lt;br class='autobr' /&gt; Art scenes are integral to urban cultural centers&#8212;Berlin, Paris, London, and New York are defined by vibrant artist communities. As an art capital, New York&lt;/p&gt;


-
&lt;a href="https://metropolitics.org/-From-the-Field-15-.html" rel="directory"&gt;From the Field&lt;/a&gt;

/ 
&lt;a href="https://metropolitics.org/+-gentrification-+.html" rel="tag"&gt;gentrification&lt;/a&gt;, 
&lt;a href="https://metropolitics.org/+-culture-+.html" rel="tag"&gt;culture&lt;/a&gt;, 
&lt;a href="https://metropolitics.org/+-New-York-+.html" rel="tag"&gt;New York&lt;/a&gt;, 
&lt;a href="https://metropolitics.org/+-art-+.html" rel="tag"&gt;art&lt;/a&gt;, 
&lt;a href="https://metropolitics.org/+-culture-based-economy-+.html" rel="tag"&gt;culture-based economy&lt;/a&gt;, 
&lt;a href="https://metropolitics.org/+-artist-+.html" rel="tag"&gt;artist&lt;/a&gt;, 
&lt;a href="https://metropolitics.org/+-arts-+.html" rel="tag"&gt;arts&lt;/a&gt;, 
&lt;a href="https://metropolitics.org/+-Brooklyn-+.html" rel="tag"&gt;Brooklyn&lt;/a&gt;, 
&lt;a href="https://metropolitics.org/+-art-worlds-+.html" rel="tag"&gt;art worlds&lt;/a&gt;, 
&lt;a href="https://metropolitics.org/+-galleries-+.html" rel="tag"&gt;galleries&lt;/a&gt;, 
&lt;a href="https://metropolitics.org/+-art-economies-+.html" rel="tag"&gt;art economies&lt;/a&gt;, 
&lt;a href="https://metropolitics.org/+-Bushwick-+.html" rel="tag"&gt;Bushwick&lt;/a&gt;

		</description>



		
		<enclosure url="https://metropolitics.org/IMG/pdf/met-kosut.pdf" length="5172417" type="application/pdf" />
		

	</item>
<item xml:lang="en">
		<title>Artists and Industry: Friends or Foes?</title>
		<link>https://metropolitics.org/Artists-and-Industry-Friends-of.html</link>
		<guid isPermaLink="true">https://metropolitics.org/Artists-and-Industry-Friends-of.html</guid>
		<dc:date>2015-11-03T06:00:00Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>en</dc:language>
		<dc:creator> Paul Parkhill</dc:creator>


		<dc:subject>gentrification</dc:subject>
		<dc:subject>real estate</dc:subject>
		<dc:subject>New York</dc:subject>
		<dc:subject>art</dc:subject>
		<dc:subject>artist</dc:subject>
		<dc:subject>Brooklyn</dc:subject>

		<description>
&lt;p&gt;Anti-gentrification activists have castigated artists' lofts as the vanguard of gentrification, while cities have heralded them as neighborhood revitalization or affordable housing. Paul Parkhill argues that working artists and manufacturing businesses share common interests in affordable, long-term workspace, and that programs like the Artist Studio Affordability Project can create workspace for artists without disrupting urban industries. &lt;br class='autobr' /&gt; In the spring of 2014, I attended a panel discussion&lt;/p&gt;


-
&lt;a href="https://metropolitics.org/-Debates-.html" rel="directory"&gt;Debates&lt;/a&gt;

/ 
&lt;a href="https://metropolitics.org/+-gentrification-+.html" rel="tag"&gt;gentrification&lt;/a&gt;, 
&lt;a href="https://metropolitics.org/+-real-estate-+.html" rel="tag"&gt;real estate&lt;/a&gt;, 
&lt;a href="https://metropolitics.org/+-New-York-+.html" rel="tag"&gt;New York&lt;/a&gt;, 
&lt;a href="https://metropolitics.org/+-art-+.html" rel="tag"&gt;art&lt;/a&gt;, 
&lt;a href="https://metropolitics.org/+-artist-+.html" rel="tag"&gt;artist&lt;/a&gt;, 
&lt;a href="https://metropolitics.org/+-Brooklyn-+.html" rel="tag"&gt;Brooklyn&lt;/a&gt;

		</description>



		
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