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	<title>Metropolitics</title>
	<link>https://metropolitics.org/</link>
	<description>Favoriser les d&#233;bats et confronter les savoirs et les savoir-faire sur la ville, l'architecture et les territoires.</description>
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		<title>From home to the workplace: &#8220;Mad Men&#8221; or the irresistible rise of women</title>
		<link>https://metropolitics.org/From-home-to-the-workplace-Mad-Men.html</link>
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		<dc:date>2012-03-14T06:00:00Z</dc:date>
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		<dc:language>en</dc:language>
		<dc:creator> Nicole Rudolph</dc:creator>


		<dc:subject>gender</dc:subject>
		<dc:subject>home</dc:subject>
		<dc:subject>work</dc:subject>
		<dc:subject>TV series</dc:subject>

		<description>
&lt;p&gt;Mad Men is often viewed as the ultimate sexist TV series. Through an analysis of the behavior of men and women at work and at home, Nicole Rudolph shows, to the contrary, that this series is instead more an illustration of the failure of men in both places. Is it ushering in the era of women in the contemporary city? &lt;br class='autobr' /&gt; Spoiler alert! This article reveals key elements of all episodes broadcast to date. &lt;br class='autobr' /&gt;
Much has been made of the misogyny at the heart of the American melodrama Mad Men, which&lt;/p&gt;


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