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	<title>Metropolitics</title>
	<link>https://metropolitics.org/</link>
	<description>Favoriser les d&#233;bats et confronter les savoirs et les savoir-faire sur la ville, l'architecture et les territoires.</description>
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		<title>&#8220;Grands Ensembles&#8221;: Retracing a History of Rejection</title>
		<link>https://metropolitics.org/Grands-Ensembles-Retracing-a.html</link>
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		<dc:date>2016-01-15T05:55:00Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>en</dc:language>
		<dc:creator> St&#233;phane F&#252;zess&#233;ry &amp; translated by Oliver Waine</dc:creator>


		<dc:subject>&#206;le-de-France</dc:subject>
		<dc:subject>Paris region</dc:subject>
		<dc:subject>housing projects</dc:subject>
		<dc:subject>urban policy</dc:subject>
		<dc:subject>urban renewal</dc:subject>
		<dc:subject>housing estates</dc:subject>
		<dc:subject>suburbs</dc:subject>
		<dc:subject>neighborhood</dc:subject>
		<dc:subject>representations</dc:subject>
		<dc:subject>cinema</dc:subject>

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&lt;p&gt;From its very beginnings, the urban model of the &#8220;grand ensemble&#8221; &#8211; the large-scale high-rise housing estate &#8211; has appealed to film-makers. For half a century, these films have not only recorded and established image-types but also changed people's representations of these neighbourhoods &#8211; and, more generally, their rejection of them. &lt;br class='autobr' /&gt; Reflections &#8211; and doubts &#8211; concerning urban policy in France currently abound, particularly on the direction that should be taken by the second phase of the&lt;/p&gt;


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