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	<title>Metropolitics</title>
	<link>https://metropolitics.org/</link>
	<description>Favoriser les d&#233;bats et confronter les savoirs et les savoir-faire sur la ville, l'architecture et les territoires.</description>
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		<title>Dawn of the Indebted: Zombie Neoliberalism Hits the Big Screen</title>
		<link>https://metropolitics.org/Dawn-of-the-Indebted-Zombie.html</link>
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		<dc:date>2016-03-08T06:00:00Z</dc:date>
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		<dc:language>en</dc:language>
		<dc:creator> Desiree Fields &amp; Tom Gillespie</dc:creator>


		<dc:subject>financial crisis</dc:subject>
		<dc:subject>housing</dc:subject>
		<dc:subject>real estate</dc:subject>
		<dc:subject>crisis</dc:subject>
		<dc:subject>foreclosure</dc:subject>
		<dc:subject>subprime</dc:subject>
		<dc:subject>Wall Street</dc:subject>
		<dc:subject>film</dc:subject>
		<dc:subject>documentary</dc:subject>

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&lt;p&gt;As the tremors of the 2008 crumbling US housing market were felt around the world, even the most astute couldn't have predicted that its backstory would be adapted into not one but two Hollywood features. Desiree Fields and Tom Gillespie review The Big Short and 99 Homes&#8212;two films depicting landscapes where not even the winners of the game believe in it anymore. &lt;br class='autobr' /&gt; Around the world, the US subprime mortgage market is understood as the epicenter of the near-implosion of the global economy in&lt;/p&gt;


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